Major Hollywood Studio, Independent, HBO, Film Producer, Executive Producer, Line Producer, DGA UPM & Film Finance Executive FilmBudget.com Founder Jack Binder

Major Hollywood Studio, Independent, HBO Producer, Executive Producer, Line Producer, DGA UPM & Film Finance Executive, FilmBudget.com Founder Jack Binder

I began my career producing comedy concerts in Detroit with my brother, then stand-up comedian and now successful Writer/Director of feature films and television, Mike Binder. Following a slew of successful comedy concerts around Michigan, we raised financing to film the concert at the Fisher Theater in Detroit and eventually sold it to HBO with the help of comedian George Carlin.

Moving to Los Angeles, I started from the bottom and worked my way up on several HBO shows including “Robin Williams Live at The Met”, “It’s Garry Shandling’s Show” and “Not Necessarily the News”.

I went to work on ‘Coupe de Ville’ as PA and then Assistant UPM which Mike wrote and was directed by Joe Roth (former Chairman of Twentieth Century Fox & Disney.)

Answering an ad in Variety I became the Assistant to Academy Award Oscar Winning Producer Michael Phillips (‘The Sting’, ‘Taxi Driver’, ‘Close Encounters of the Third Kind’) rising to Vice President of Creative Affairs for his production company while producing feature films for the film arm of HBO.

FilmBudget.com Studios

Setting off into independent production I joined back with my brother Mike again Co-Producing ‘Crossing the Bridge’ (Josh Charles, Jason Gedrick, Stephen Baldwin) which was picked-up by Disney’s Touchstone Pictures. There we scored an On-the-Lot deal, engaged to Produce and Mike to direct ‘Indian Summer’ starring Alan Arkin, Diane Lane, Kevin Pollak, Julie Warner, Elizabeth Perkins and Bill Paxton.

Damon Wayans contacted us to make ‘Blankman’ and we moved over to Columbia Pictures to make that film with a $30 million film budget and substantial vfx for the time. (The animated opening title sequence was something we were really happy with – a throwback to the ‘Batman’ tv series opening.) This began a long relationship with Columbia Pictures and Sony Pictures Entertainment.

Following this stage in our career we launched back into the indie film world, raising film finance to fund the comedy film ‘The Sex Monster’ (Mariel Hemingway, Mike Binder), ‘Londinium’ (Colin Firth, Stephen Fry), ‘The Search for John Gissing’ (Alan Rickman, Alan Corduner, Juliet Stevenson). These were all shot in London and began a long term relationship with British film, England and London filmmaking.

Partial Cast of Films Produced by Jack Binder, FilmBudget.com Founder

Partial Cast of Films Produced by Jack Binder, FilmBudget.com Founder

I then Produced and Mike created, wrote and directed ‘The Mind of the Married Man’ (Mike Binder, Sonya Walger, Kate Walsh, Jake Webber, Taylor Nichols) for HBO which ran for two seasons (they balked and then wished to make a third season but we were off back into feature film.)

This lead to our raising film financing for ‘Man About Town’ (Ben Affleck, John Cleese, Rebecca Romijn) and ‘The Upside of Anger’ (Kevin Costner, Joan Allen, Kerri Russell, Even Rachel Wood, Erica Christensen) which New Line Cinema picked-up.

Returning to Sony / Columbia Pictures I Produced ‘Reign Over Me’ starring Adam Sandler in a dramatic role, Don Cheadle, Liv Tyler and Donald Sutherland. The film shot in New York and Los Angeles.

Following this I helped write the Michigan Film Tax Incentive with the Governor of Michigan and the Legislature. I created Michigan Film Production Company and brought films from around the world and the country to shoot in Michigan until the current Governor shut down the program which launched thousands of film careers and the revitalized the industry in Michigan, making the state one of the leaders in US filmmaking for a short period.

Moving on I Executive Produced ‘Tomorrow’ with Martin Scorsese which is in post-production. I continue producing films worldwide with several movies in finance and casting stages at this writing.

I am currently Producing ‘Dionne’ – the story of Dionne Warwick during her period as the voice of Burt Bacharach and Hal David.

I founded FilmBudget.com in the late 90s to assist fellow filmmakers in obtaining film finance by creating a real, accurate film budget and Film Finance Plans to help make my colleagues investor ready. After seeing so many productions fail at the finance level, I determined that having a quality film budget was key to getting the green light so many films require to move into production.

I created the film budget and schedule for all of my movies and have always been on budget and on schedule, working with studio executives and creatives alike to obtain the highest quality at the lowest cost. I put all of this knowledge into every budget I create. Likewise I provide film production consulting services for select filmmakers interested in my experience and expertise in film production, film tax credits, budgeting and film finance plans.

I continue to Produce and consult via my international production company Greentrees Films.

Additionally I am a film finance and production consultant for several companies and individuals, including the former Chairman of PricewaterhouseCoopers Structured Finance, Omeira Studio Partners (for which I am the Producer Strategic Partner) and Rockwood Financial for which I am a Strategic Film & Entertainment Partner.

Contact me via FilmBudget.com to obtain a quote on services for real film budgeting on your movie or tv series, special or film.

Good luck in filmmaking!

All the best,

Jack

Jack Binder

Producer

Founder of FilmBudget.com

Founder of FilmBudget.com

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Where I provide timely, up-to-date critical film and television industry information curated from around the world for the benefit of my followers. I welcome your input as well.

Why it is Critical to Obtain a Professional Film Budget & Why Whom Creates Your Film Budget Matters As a Reflection Upon Yourself the Filmmaker & Your Team

Why it is Critical to Obtain a Professional Film Budget and Why Whom Creates Your Film Budget Matters As a Reflection Upon Yourself the Filmmaker & Your Team

Your movie budget is a reflection on you, the filmmaker and your team. A professional film budget is critical to obtaining film finance, production and distribution for your film.

In the world of film finance and movie production the figures are more significant then ever. The details and reliability of the figures created in your movie budget by a veteran line producer are critical to the success of the film you are setting out to make.

What is often not appreciated is the compounding nature of those numbers which can lead to make the financing elements largely in error.

film budget movie stars

As the basis for the funding equation which goes into the packaging of the equity, pre-sales, debt and gap financing elements to finance your film, your movie budget is enormously important in that it be accurate and all inclusive.

Likewise the quality of the line producer’s credentials, associations and experience a filmmaker chooses to engage to create their budget lends significant value to your film stature, finance plan and the funding package overall.

The importance of having a film budget and schedule created for your screenplay for potential buyers is widely known and accepted in sophisticated film finance circles. So much so, that it is the first question asked when a project is submitted: “can you send us your budget?”

FilmBudget.com is the international leader in worldwide film budget and schedule production services, and creates accurate and proven film budgets for filmmakers.

FilmBudget.com

The benefits leading to your script being picked up by someone having already been budgeted and scheduled, the advantages are numerous. For one, putting forth the effort to create a film budget and shooting schedule for your film production immediately sets your script ahead of the ones whom have not taken this key step.

Knowing the cost of producing a film is critical to obtaining financing and distribution. Being able to articulate to an interested party how much funding will be required to produce a film enables them to make multiple decisions which they would not necessarily be bothered nor able to entertain with a screenplay alone, for which one presumes they might receive literally thousands.

Additionally, this effort and resourcefullness demonstrates initiative on the part of the writer/producer/director to ascertain the fundamental fact of the film production: the cost to produce the film.

Further to this point, knowing the cost of the film production overall and where it will be shot, aids in determining what film tax incentive amount the filmmakers might expect to receive from local government institutions, funds, grants, etc. Knowing the budget of the film enables a buyer to be able anticipate what type of foreign sales (advances) they might be able to expect as well.

This all leads to potential purchasers to able to figure what amount of equity, or hard cash, will then be required on their part, or their financiers, to proceed to produce the film.

So knowing your cost of production sets you and your film apart from others submitting only a screenplay, as one which has made the effort to enable the key factors required to make an informed decision. It also conveys your commitment to getting the film made and willingness to  have an understanding of the process of filmmaking, for the budget and schedule is a roadmap to the production.

It is a reflection upon you and your team that you have undertaken to understand how the film will be made by having a professional film budget and schedule created for you by a veteran line producer, for what you will then have, a package, not just a screenplay, to present and they, to investors and financiers.

Contact FilmBudget.com to obtain an immediate quote on our services, which include a finance and camera ready film budget and schedule package, film finance plans and film tax credit analysis and production consulting.

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A Quick Overview of the Role of the Producer, Executive Producer & the Line Producer

The question often comes up amongst those interested in the film business about what is the difference between an executive producer, producer, co-producer, line producer, etc.  There is a misunderstanding and certain assumptions about what these different roles entail and the responsibilities as such for each job description.  Filmbudget.com decided to shed some light on the topic.

 

Executive Producer

 

The executive producer is generally regarded as the top of the food chain of producers.  While some think of this title as the person who brings the money and they wouldn’t be incorrect in that assumption.  Quite often the executive producer or EP as it is commonly referred to, brings the financing for the film budget of a production.

 

Likewise an EP may bring the top cast or other talent to the motion picture or television program they are involved with.  A growing tradition over the last two decades has been to grant an executive producer credit to the star’s manager.  While this is frowned about by some, the clout these managers generally have who get this can be deemed advantageous for the production, if not critical for obtaining the desired film star.

 

An executive producer may have optioned the material the movie or tv show is based upon.  Obtaining the underlying rights to content which films are made from is a fundamental method for securing a producer credit and often this is granted as an executive producer position.  For example if they bring the rights to a novel that the film is created upon this would be the “underlying rights” of the production without which it could not get made.

 

There are many permutations of the executive producer credit and to whom it is granted.  Often matters of oversight, financial responsibility, access to distribution, talent and foreign sales can impact who receives the credit.

 

Producer

 

The producer of the film is the ultimate film credit that is sought after by filmmakers (or should be.)  The Produced by credit is the most desirable and most often goes to the producer with the most control or importance on the film.  This could be due to the fact that he or she created the story or initiated the project, either by taking an option on a literary property, an outright purchase or by arranging a studio deal for the writer.

 

The producer credit has long be regarded as being earned by the person who brings the project to ether in its entirety, not merely one element (ie. the script, the financing, etc.)  The producer also has the experience to manage the entire production from inception to delivery to distributors of a final project.

 

Likewise, attending to the film budget and ensuring the the production does not go over budget or over schedule is the responsibility of the producer as well.  Dealing with the day to day problems and situations on the movie set is overseen by the producer working in tandem with the line producer to adequately execute the production.

 

 

Line Producer

 

The line producer is the hands on expert charged with delivering the film into the “can”, or what we call today capturing the data.  Line producers are seasoned unit production managers who have been working on film productions for many years and have moved up the ladder of the production tower.

 

This producer oversees all physical production elements from wardrobe to lighting and transportation to catering.  The line producer is generally the most overall knowledgable person on the team who knows how to put together a film production and prepare it for shooting.  They are trained by experience, learning and the hard lessons of production over many years and films.

 

Creating the film budget is the responsibility of the line producer.  In preparation for film financing, production and distribution the movie budget must be generated by a professional line producer with extensive experience in producing films.

 

 

Unit Production Manager

 

The unit production manager, or UPM, is a Director’s Guild of America (DGA) category designation for those members who are skilled at producing film and television productions from a management point of view.

 

Also known as production managers, the upm’s work with the line producer in managing the motion picture crew, the film budget and the shooting schedule.  By working with heads of departments (HODs) to determine their fiscal requirements and limits the upm ascertains from each the state of their budgets in comparison to the overall movie budget for a production.

 

The unit production manager must also be a liaison between the production and the studio, financiers or production company with regard to physical production.

 

 

While certainly not the most profound and detailed explanation for the roles of the producer on a film production, hopefully this article provides a bit of clarity on these critical elements of the production team.

 

 

 

 

 

 

 

 

 

 

 

 

American Film Market – AFM – International Distribution, Financing and Sales Market

AMERICAN FILM MARKET 2011 – Be Pro-active, Prepared & ready to Pitch!!

 

Are you an enterprising filmmaker, producer or writer with a brilliant idea looking to make the right connections in the business, obtain film financing and get your project underway?

 

Well, now may be the break you’ve been waiting for! If you don’t already know about the American Film Market, then its time to do your research and seriously think about attending this event.

 

There’s a well-known expression in the film business – its not what you know but who you know, that really counts.  It may be a common cliché but there is plenty of truth to the old saying. The problem most of us in the business encounter, however, is the ‘how’ and ‘where’ aspects of getting to meet these so-called ‘right’ people. This is precisely why forums like the American Film Market  (AFM) present such a golden opportunity.

A quick synopsis of the AFM – it is organized by the global trade association of independent film & television producers and distributors, known as the Independent Film & Television Alliance (IFTA). It is an eight-day event held in Los Angeles (from Nov 2nd -9th ) in which more than 400 films will be screened and more than 400 production/distribution companies will be exhibiting. It is an international event, with 8,000 attendees from more than 70 countries expected to attend. Furthermore organizers estimate that more than $800 million in deals will be closed this year.

 

What:  American Film Market

When: November 2-9, 2011

Where:  Loews Hotel – 1700 Ocean Avenue, Santa Monica, CA 90401

MAP

 

If that sounds enticing and you’re keen to get a piece of that estimated $800 million pie, then you’ve got be willing to pay the price for the ticket. Passes for the event start at $345 and upward.

 

Also, a word to the wise – be prepared. Like any opportunity, the AFM will be most lucrative to those who do their research and adopt a professional, business-like approach to the forum. Most importantly – do your research! This really cannot be stressed enough.  It is important to identify your goals – ask yourself, what it is you want to achieve from the AFM? Once you’ve identified what you want to get out of the forum, the next step would be develop a target list of the people you want to meet and then proceeding to scheduling the key meetings.

 

Finally, you should be aware – the AFM is not a festival. While a number of films are screened at the festival, there are no competitions and subsequently no prizes. It is essentially a coming together of a range of ‘buyers’ and ‘sellers’ in the film industry. An opportunity to network with your peers, raise money for projects and possibly even walk away with some signed contracts.

 

So be pro-active, be prepared and be ready to pitch! Keep these things in mind and you just never know what you may walk away with….

 

 

 

Get ready for the American Film Market with a film budget by Filmbudget.com – the international leader in worldwide film budgeting and scheduling production services.

Film financing, distribution, foreign sales, film tax credits and your investors require an accurate, quality film budget that is reliable and bankable.

Celebrating 25 years experience producing major studio and independent film for the international entertainment industry.

 

 

12 VFX Facilities in Los Angeles | Film Budget

List of 12 Los Angeles VFX Facilities – Film Budget – Line Producer – Film Production Services

We decided to assemble a list of 12 leading VFX facilities in Los Angeles in the face of the turmoil in the CGI industry.   Due to competition and increased pressure on the film budget of most motion picture productions, companies have had to outsource and cut rates extensively.

In the face of the visual effects industry contraction and mounting challenges to the current economic model, we are glad to see these companies maintain their California based roots.   We hope they continue to employ local filmmakers and artists in the field of computer generated imagery, animation and vfx work.

 

Eden FX

1438 N. Gower Street Building 50 & 16, Box 19, Hollywood, California

(323) 993-7050 ‎ · edenfx.com

 

S4 Studios LLC

5657 Wilshire Blvd #290, Los Angeles, CA

(323) 937-2100 ‎ · s4studios.com

 

Prime Focus Global Integration

1800 Vine St # 100, Los Angeles, CA

(323) 461-7887 ‎http://www.primefocusworld.com/

 

Point360 West

12421 West Olympic Boulevard, Los Angeles, CA

(310) 481-7000 ‎ · west.point360.com

 

Scanline VFX La Inc

12910 Culver Blvd # C, Los Angeles, CA

(310) 827-1555 ‎ · scanlinevfx.com

 

Rhythm & Hues Studios

2100 E Grand Ave, El Segundo, CA

(310) 448-7500 ‎ · rhythm.com

 

yU+co

941 North Mansfield Avenue, Los Angeles, CA

(323) 606-5050 ‎ · yuco.com

 

Steele VFX

5737 Mesmer Avenue, Culver City, CA

(310) 656-7770 ‎ · steelevfx.com

 

Look Effects, Inc.

Suite F, 12910 Culver Boulevard, Culver City, CA

(323) 469-4230 ‎ · lookfx.com

 

Zoic Studios

3582 Eastham Drive, Culver City, CA

(310) 838-0770 ‎ · zoicstudios.com

 

ICO VFX

727 South Main Street, Burbank, CA

(818) 531-7200 ‎ · icovfx.com

 

New Deal Studios

4105 Redwood Avenue, Los Angeles, CA

(310) 578-9929 ‎ · newdealstudios.com

 

These visual effects companies work on a wide range of movie productions with both large film budgets and those with a more modest indie film budget supporting their vision.   A good visual effects team can contour a proposal for any size move and offer a wide range of visual effects imagery.

 

 

 

 

‘The Mind of The Married Man’ / Producer / Unit Production Manager

FilmBudget.com founder, film and television producer Jack Binder produced the HBO critically acclaimed tv series ‘The Mind of the Married Man’.    The tv show ran for two seasons before Binder went on to produce the New Line Cinema release of ‘The Upside of Anger‘ starring Kevin Costner, Joan Allen, Evan Rachel Wood, Kerri Russell, Erica Christensen and Alicia Witt.

HBO subsequently wished to finance a third season before Jack moved on to produce “Man About Town‘ starring Ben Affleck and then ‘Reign Over Me‘ starring Adam Sandler and Don Cheadle for Columbia Pictures.   The tv series was controversial for its dealing with marriage issues in a comedy program.    Here is the opening title sequence of ‘The Mind of the Married Man’.

 

The Mind of the Married Man

 

 

 

 

 

 

Filmbudget.com is the international leader in worldwide film budget and schedule line producer production services for indie film and studio production.   For film budget production services in Europe, Australia, Canada, The United States, Latin America, Eastern Europe and worldwide, veteran line producer Jack Binder provides twenty-five years of extensive experience on major Hollywood studio and indie film production.

MARCHE’ DU FILM – FESTIVAL DE CANNES – THE CANNES FILM MARKET

The Marché du Film – Festival de Cannes | The Cannes Film Market – The Cannes Film Festival

The Cannes Film Festival’s marketplace for the cinema industry

When:   11 May to 22 May 2011

Where:  Cannes, France

Who:     Jérôme PAILLARD is the Executive Director for the Marché du Film

Website:   MARCHE’ DU FILM


The Cannes Film Festival is one of the world’s most prestigious and oldest film festivals. The private event is held annually in the month of May at the Palais des Festivals et des Congrès in the resort town of Cannes, south France.

Last Year’s President of the Jury for the 2010 Cannes Film Festival was American film director Tim Burton.  This year, the 64th edition of the Festival is scheduled to be held from 11 May to 22 May 2011. The President of the Jury is American actor Robert De Niro.

The Cannes Film Market  |  Marche’ du Film

One of the Festivals annual events is the Marché du Film, which also gathers at the Palais des Festivals et des Congrès simultaneous to the Film Festival.  The Marché du Film is a hot-spot for buyers, distributors and producers for the ten day slot, dedicated to meetings and negotiations.   Global film productions engage here to obtain film distribution, film finance and foreign sales territory by territory.

This unrivaled international event allows for all professionals to develop their projects, establish co-productions and partnerships, and present their latest news.  The Marché du Film has been facilitating such exchanges, along with other buyers and sellers of the film industry since 1959, making it a major international platform for film commerce.    Producers prepare their film budgets for investors and distributors to engage in the film finance contributions to the film production.

Foreign sales companies set up shop and show their upcoming film productions, completed films and projects in development.   Many screenings take place during the Marche’ in conjunction with the Cannes Film Festival itself.  Filmmakers seek to show their films and also to finance their movie budget by raising awareness.  Film distributors are also out in force looking for the next hit film and demonstrating their current line up of films, and to find the right projects at the right film budgets to fund for their film slate of pictures.    About 10,000 persons participate with over 400 exhibitors at the Cannes Marche’ du Film – Cannes Film Market at the Cannes Film Festival.

Likewise the stars come out in force to lend their promotional support for the movie projects they are either attached to or have performed in previously.   Directors as well attend and in conjunction with the other talent help raise interest, awareness and film budgets and worldwide distribution for their movies.   Press junkets are common and the glamour of Hollywood movie stars is a welcome addition to the proceedings at every stage.

The Marché du Film, in the words of Gilles Jacob, President of the Cannes Film Festival, is “a hive of activity”, focused on the prosperity and achievements of quality cinema.  The Festival de Cannes would not be the same today without the Marché du Film.  It’s an exceptional and efficient meeting place of the cinema world, uniting artists with professionals and the media, on the French Riviera.

Maps, Transportation and Accommodation, Information

In order to participate in this coming years Marché du Film, you can book your screenings and register your company online commencing February 2011 Click Here.

Movies produced prior to 2008 and those that were already screened at a prior Marché du Film will not be accepted.

For information concerning short films, please contact the Short Film Corner at:
www.shortfilmcorner.com
email: sfc2010@festival-cannes.fr


Presented by FilmBudget.com

The worldwide leader in global film budgets and schedules for the motion picture industry.

Film Budgets | 3D Movie Cameras | Panasonic AG-3DA1

Panasonic introduces its AG-3DA1 integrated twin-lens Full HD camcorder as the world’s first pro quality Full HD 3D camcorder with SDHC media card recording.  Filmbudget.com looks forward to further on location testing however this looks to be an incredible breakthrough in the race for quality 3D on less than Cameron film budgets for the masses.   As the industry embraces 3D many explosive arrivals are coming to be sure.   As we prepare movie budgets and proceed with film budgeting for our clients, we will certainly investigate the validity of the new Panasonic 3D camcorder as it applies to the professional film production and high quality moviemaking environment for economic features and television productions as required in today’s cash and credit challenged market.

Film Budgets for professionals by a veteran line producer are required by film finance lenders and investors. Contact us for a comprehensive package and thank you for visiting our film budget blog for serious filmmakers looking to move their projects forward to production.

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Film Budgets | Film Budget Consulting

Filmbudget.com

Film Budgets

Film budgets created by a veteran line producer with years of experience on set and launching productions are required by film financiers, movie investors, bank lenders and all facets of the industry to move a production forward.  Filmbudget.com provides a filmmaker with a quality movie budget to present to professional film funding bodies.  Welcome to the film blog of Filmbudget.com

Film Budget Consulting

Filmbudget.com provides film budget consulting to filmmakers around the world.  As the international leader in worldwide film budgeting and scheduling services, we create custom tailored film budgets for our clients of exceptional detail, accuracy and proven in the field expertise.  In addition to generating such quality movie budgets and shooting schedules,  Filmbudget.com also provides additional services with regards to film tax incentives, location services, production services and advice on all matters of production of a motion picture.

Film Tax Incentives

As the world competes in all geographic areas to offer filmmakers incentives to bring their films to a particular region one must weigh the myriad of opportunities available to film producers, directors, writer and actors to decide upon the right scale of film budgets and film production tax incentive or film tax credit to seek for their productions.  We guide and advise on such matters for our clients suggesting a particular city, country or region for their story which is most advantageous for the screenplay and also for the film finance plan as it relates the film credits, film funds, grants, co-productions and other such moviemaking subsidies.  Filmbudget.com has great experience worldwide in developing  a film business plan for fellow producers which maximizes their net benefit from film tax incentives while maintaining artistic integrity for the creative values of the production.

Co-Productions

Co-Productions are continuing their expansion and growth as countries enter treaties designed to spur growth in their respective territories and local film and television production industries. Increasingly governments realize the value of partnering and forming treaties with other governments in order to promote an increase in film budgets funding from abroad and encourage partnerships amongst producers around the globe in order to bring production currency and inward investment to their territories.  Filmbudget.com likewise advises and consults with our clients on the matters of film funds, co-productions and making movies across international borders.

Movie Budget

The Movie budget is the most important factor after the screenplay and currently almost of an equal nature in the current fiscal climate of tight credit and diminished foreign sales valuations of production around the world. Filmbudget.com likewise of course is an avid advisor and film consultant with regard to movie budgets and schedules which enable foreign sales agents, film finance executives, film funds, major studios and independent production companies to evaluate a potential film project for advancement in the production pipeline.

Filmbudget.com founder Jack Binder (“Reign Over Me”, “The Upside of Anger”) has been producing feature film and television productions for 25 years as well as provide movie budgets for the major studios and independent film production companies and looks forward to assisting fellow filmmakers navigate their way through the catch 22  Hollywood production maze.

Contact Us to discuss Film Budget Consulting for your production

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View our Produced By film credits

FilmBudget.com/blog is the film blog of Film Budget, Inc.

Film Budgets |Tax Incentives| Co-productions|Austria

Austria Film Fund

Film Location Austria enters the European film fund sector offering a nationalized film tax incentive to build upon indigenous and inward investment film production.
Current funding level is €20 million or USD $20M.
Details: 25% of total production spend in country or a cap of 15% the total amount allocated annually to Film Location Austria.
Local spend requirement: 25% of film budgets to be spent in Austria (20% for movie budgets over €10 million).
Applicants must pass an economic point system and cultural test following local and EU guidelines.

Recent films shot in Austria:
Knight and Day starring Kiera Knightly/Tom Cruise
The Pillars of the Earth
Quantom of Solace starring Daniel Craig as 007

 

Check out our summary of film budgets film festivals with fest dates, submission deadlines and updates.

Movie Budget

A movie budget is critical to moving your production forward to production and distribution. The key document in any film business plan, quality movie budgets are required by banks, lenders, completion bond companies and film fund authorities. Likewise, film tax incentive establishments will insist upon a budget for your project in order to consider it for investment. When you need a film budget contact us for a thorough analysis, consultation and delivery of a complete finance and camera ready budget and schedule.   A veteran film producer provides you with extensive film budgeting advice and consultation in delivering a finance and camera ready movie budget for investors, lenders and foreign sales companies to evaluate a film project with credible analysis and reliable figures.

Movie Budgets by a line producer