The Film Budget, Domestic & Worldwide Grosses of the Top Indie Films of 2015 |

The Film Budget, Domestic & Worldwide Grosses of the Top Indie Films of 2015

We have compiled a list of the top grossing independent films of 2015. Detailed below in the chart is the film budget, where available, the domestic (U.S.) gross receipts, the international boxoffice and the combined worldwide gross theatrical revenue.

Indie films listed include films originally released in under 500 theaters by independent distributors or the specialty divisions of the major studios.

The film budget for each film and boxoffice data was obtained as publicly available from IMDB, The-Numbers or other sources which reported the film budget and revenue figures.

film budget indiefilm v gross 2015

Compiled by | Film Budget Inc.  Sources: IMDB, The-Numbers

All figures are in millions of dollars for both the film budgets of the movies and the revenue from theatrical distribution. U.S. grosses are combined with international revenues for total worldwide theatrical box office revenue figures.

Revenue figures are accurate to the date of writing of this article. Some films are no longer in release while others remain in the theatrical circuits. Films such as ‘Spotlight’ will enjoy an additional box office boost due to winning the Oscar® for Best Picture.

Contact for further details and to inquire about our various services, including film budgeting, film finance plans and film tax credits analysis and general film and television production consulting utilizing our 25 years of major studio and independent film production experience.


BFI London Film Festival 2014 Dates | Film Budget Inc. | is the international leader in worldwide film & TV budget and schedule production services.


BFI London Film Festival Announces 2014 Dates

It’s never too soon to look ahead in the exciting world of cinema. Coming off a successful 2013 run, London looks to 2014 for a pinnacle year in the festival’s history.  Clare Stewart, chief of LFF, is already working on making London a force for any film interested in a major awards run. The Hollywood Reporter states,

“The fest chief, Clare Stewart, is attending the Berlinale with colleagues Tricia Tuttle, deputy head of festivals, Michael Blyth, festival programmer, and Andrea Bigger, industry manager, as they begin their search for films for this year’s edition.”

57th BFI London Film FestivalFall can’t come soon enough, as the BFI announces this year’s festival will take place the 8-19th of October. As you may recall, last year’s fall erupted with excitement, as incredible film after incredible film picked up steam at Tiff, and other fall festivals, before opening to eager audiences around the world. That’s why LFF believes it can play an even bigger role come autumn. From projects with large movie budgets, to smaller ones with independent film budgets, 2014 promises to showcase a wide range of pictures.

Though October may seem a ways away, submission deadlines are creeping in like a London fog. The deadline for short films (40 minutes or less) is listed for 13th of June, while features (more than 40 minutes) have until the 20th. For more info, including the submission regulations, click here.

bfi-london-film-festivalThe best news, if you’re a UK filmmaker, is that it’s free. As for foreign films, there is a fee, but if you act fast – submit by 5pm, Friday May 5th – it’s only £45.

Stay updated on all the latest LFF news by subscribing to our blog and LIKE our Facebook page.

Have a script, project, etc. you need financed? A professional budget is the first step. Visit our website for more information!

Have a short movie budget question? Tweet us: @FilmBudget

American Film Market – AFM – International Distribution, Financing and Sales Market

AMERICAN FILM MARKET 2011 – Be Pro-active, Prepared & ready to Pitch!!


Are you an enterprising filmmaker, producer or writer with a brilliant idea looking to make the right connections in the business, obtain film financing and get your project underway?


Well, now may be the break you’ve been waiting for! If you don’t already know about the American Film Market, then its time to do your research and seriously think about attending this event.


There’s a well-known expression in the film business – its not what you know but who you know, that really counts.  It may be a common cliché but there is plenty of truth to the old saying. The problem most of us in the business encounter, however, is the ‘how’ and ‘where’ aspects of getting to meet these so-called ‘right’ people. This is precisely why forums like the American Film Market  (AFM) present such a golden opportunity.

A quick synopsis of the AFM – it is organized by the global trade association of independent film & television producers and distributors, known as the Independent Film & Television Alliance (IFTA). It is an eight-day event held in Los Angeles (from Nov 2nd -9th ) in which more than 400 films will be screened and more than 400 production/distribution companies will be exhibiting. It is an international event, with 8,000 attendees from more than 70 countries expected to attend. Furthermore organizers estimate that more than $800 million in deals will be closed this year.


What:  American Film Market

When: November 2-9, 2011

Where:  Loews Hotel – 1700 Ocean Avenue, Santa Monica, CA 90401



If that sounds enticing and you’re keen to get a piece of that estimated $800 million pie, then you’ve got be willing to pay the price for the ticket. Passes for the event start at $345 and upward.


Also, a word to the wise – be prepared. Like any opportunity, the AFM will be most lucrative to those who do their research and adopt a professional, business-like approach to the forum. Most importantly – do your research! This really cannot be stressed enough.  It is important to identify your goals – ask yourself, what it is you want to achieve from the AFM? Once you’ve identified what you want to get out of the forum, the next step would be develop a target list of the people you want to meet and then proceeding to scheduling the key meetings.


Finally, you should be aware – the AFM is not a festival. While a number of films are screened at the festival, there are no competitions and subsequently no prizes. It is essentially a coming together of a range of ‘buyers’ and ‘sellers’ in the film industry. An opportunity to network with your peers, raise money for projects and possibly even walk away with some signed contracts.


So be pro-active, be prepared and be ready to pitch! Keep these things in mind and you just never know what you may walk away with….




Get ready for the American Film Market with a film budget by – the international leader in worldwide film budgeting and scheduling production services.

Film financing, distribution, foreign sales, film tax credits and your investors require an accurate, quality film budget that is reliable and bankable.

Celebrating 25 years experience producing major studio and independent film for the international entertainment industry.



Film Budget Inc. | | Worldwide Professional Film Budgeting

Cost cutting in the film world has always been a buzz word.  However, in today’s credit strapped economy reducing the level of a film budget has become a necessity more than ever.

From large scale, tent-pole, enormous film budget productions to mid-level movie productions and of course the lower tier film budget range, the pressure from lenders, studios, production companies, investors and sales executives has increased dramatically.   Salaries have continued their downward plunge at all levels.

In addition to the financial downturn, the credit crunch and the lack of capital for movie production, the states have compounded the problem by pulling the rug out from under their growing local film industries that were beginning to gain self-sustaining momentum with the aid of film tax incentives programs which got the ball rolling.   Rather than stick with these job creating, and industry generating film tax credits, they have systematically pulled the plug on them, thereby exacerbating the film finance situation.  Fortunately, foreign governments realize the importance of supporting the entertainment (ie. culture) sector and they continue to expand their support mechanisms.

Therefore, filmmakers must do much more with much less, now more than ever before.  It is critical to have an extremely tight film budget and shooting schedule, however one with great production value built into it.  The critical eye of a seasoned line producer is required to make the tough decisions on where to cut the budget and where to enhance it.   Which departments can get by with less and which demand being saved from the axe?   A knowledgable line producer deals with these questions daily and reducing the budget is not new to them.

One such expert in the field of film budgeting is – founded by veteran major Hollywood studio and indie film producer Jack Binder (‘Reign Over Me’, ‘The Upside of Anger’, etc.)  Here is a video trailer of Jack’s producer credits:


What is the difference between an indie film budget and a major studio movie budget?

When creating a film budget and schedule production services package for film producers, writers and directors it is important to know whom your end user is going to be.   General formatting of a film budget varies from studio to studio and between production companies.

While there is some standardization in accounts used by the various production companies, with each having there own chart of accounts, they likewise each have their own way of outlining and detailing the accounts and categories that make up a film budget and shooting schedule.  When it comes to indie film budget and schedule creation the field is much wider as are the options and possibilities for style, standards and formats.

A quality indie film budget and schedule has all of the basic elements of a major Hollywood studio movie budget, yet with somewhat more detail and some elements that are not required by a studio film budget set of documents.  For example, an indie film budget will almost always have a completion bond as part of its bottom line expenses.   A completion bond can be thought of as somewhat like an insurance policy, for the investors.   The bond as it’s known as protects the film financier from overages and the possibility that a film cannot be completed.   The completion bond company charges a fee and will interject itself and its professionals into the production process to ensure a film production is completed according to its indie film budget and schedule as layed out in pre-production film budgeting process.

A major Hollywood studio film budget on the other hand will generally not have a completion bond expense included due to the fact that a deep pocketed film production studio can insure itself against such calamities.   This is done with management control over the production, proper oversight and a realistic approach to studio film budgeting which may be absent in the much larger and far reaching indie film budget universe.   Similarly whereas an indie film budget and schedule may not contain a large overhead charge from the production company, a studio film budget will almost certainly carry a large overhead charge against the overall film budget perhaps as high as 10-15% of the budget.   This charge not only helps offset overages in productions under their supervision, it also helps defray office, facilities, executive travel and other business expenses by recouping them from the movie budgets of their film productions.

Due to the above elements and the very nature of indie film budgeting and scheduling, the common fact is that these film budgets are lower in general.   While not carrying the overhead expense, indie films also can shoot for less, do more with less and obtain more favorable rates across the board because they are not taking on such massive financial expenditures like the majors.



Indie film budget and schedule expert