Top 10 Movie Grosses vs. Film Budget for Independent & Major Studio Releases 2014

FilmBudget.com compiled a report of the top ten indie film and major Hollywood studio movie grosses vs. the film budget for each listed movie released in 2014. While the film budget is not a direct correlation to the success of a movie it does provide an indicator of what the marketplace is responding to as compared to the relevant budget number.

Gross revenue figures are for domestic U.S. theatrical box office data which are current as of the date of this writing.  By using up-to-date figures the date of release is removed as a variable in the reporting of domestic theatrical revenue totals.

To create a breakdown of cost vs. revenue we looked at the widely reported expense of making the film production. P&A Marketing and release expenses are not included in the budget information provided.

Independent Film Release 2014 – Film Budget vs. U.S. Box Office Gross To Date

Indie Film Title                              Film Budget                   U.S Box Office Gross

The Grand Budapest Hotel              $31 million                            $59 million

St. Vincent                                       $13 million                            $43 million

Chef                                                 not available                         $31 million

Boyhood                                          $  4 million                            $24 million

Birdman                                           $22 million                            $24 million

The Theory of Everything                 $15 million                            $23 million

The Imitation Game                         $15 million                            $20 million

Wild                                                $38 million                            $38 million

A Most Wanted Man                       $15 million                            $17 million

Begin Again                                    $ 8 million                             $16 million

 

Major Hollywood Studio Release 2014 Movie Budget vs. Box Office Gross To Date

Movie Title                                                       Movie Budget     U.S. Box Office Gross

Guardians of the Galaxy                                       $170M                 $330M

The Hunger Games: Mocking Jay – Part 1           $125M                 $337M

Captain America: The Winter Soldier                   $170M                 $260M

The Lego Movie                                                  $  60M                 $258M

Transformers: Age of Extinction                          $210M                 $245M

Maleficent                                                           $180M                 $241M

X-Men: Days of Future Past                                $200M                 $234M

The Hobbit: Battle of the Five Armies                  $250M                 $255M

Big Hero 6                                                          $165M                 $222M

Dawn of the Planet of the Apes                          $170M                 $209M

 

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Entertainment, Movie Box Office, and the Film Budget | Film Budget Inc. | Filmbudget.com

A Great Year for Movies

2013 was a great year for movies. You can’t walk down the street anymore without hearing someone arguing with their neighbor over who’s going to win best director. More importantly, people are conversing about films in a way much deeper than just entertainment. While ‘12 Year’s a Slave‘ got people discussing our nation’s painful past, ‘The Wolf of Wall Street‘ and ‘The Great Gatsby‘ showed greed is just as pressing of a topic as it was in the 1920s.

But what about the numbers? After all, it takes money – often a lot of money – to make movies, and without profits there are less films going into production. The good news is people are still going to see movies. In an enlightening inforgraphic form Superscholar.org, the economics behind what they call ‘our obsession’ is broken down in comparatives. The infographic reads,

“Despite claims of piracy hurting profits, movies remain one of the most popular & profitable entertainment venues in the US”

When compared to other entertainment venues, movies are still selling a staggering number of tickets, in addition to having a low average cost by event. For instance, movies sold 1.36 billion tickets and maintained a low average event cost of only $31.84. On the other hand, the NFL sold 17.2 million tickets with $313.52 as the cost of the event. Though, the NFL does charge a much higher price for those 17.2 million tickets, but it only does so for part of the year – 17 weeks not counting playoffs.

movie-theaterA Side Note – These numbers are from 2012. According to The Numbers website, 2013 saw a drop in tickets sold to 1.16 billion, and a revenue of $9.45 billion. But with immense hype for this year’s Oscars, I predict many of 2013s top films continue to make large profits.

The infographic also reveals that while revenues have been historically rising, so have ticket prices. For instance, in 2002 the average ticket price was $5.81, which has grown to $7.96 in 2012. Why are movie ticket prices rising? In terms of exhibition, many theaters are upgrading to a more luxurious experience, including bars, comfortable seats, and the latest sound and projection technology. Also, the onslaught of 3D movies and Blockbusters with gigantic movie budgets tend to force prices up every year.

The Winners

2013 wasn’t an all-time record setting year, but that doesn’t mean there weren’t winners. To name a few,

Iron Man 3 Grossed: $1.22 Billion with a movie budget of $375 million

Despicable Me 2 Grossed: $919 million with a movie budget of (estimated) $76 million

The Hunger Games: Catching Fire $840 million with a movie budget of $130 million

Fast & Furious 6 $789 million with a movie budget of (estimated) $160 million

The Hobbit: Desolation of Smaug $757 Million with a movie budget of $250 million

Iron-Man-3It’s obvious Hollywood loves a good blockbuster, particularly one involving super heroes, but not all are a success. For example, this summer saw some major flops in ‘R.I.P.D’ and ‘The Lone Ranger’, which only grossed $261 million on a film budget of $275 million.

Star Power
The info-graph goes on to show star power is still Hollywood’s greatest draw. With the number one grossing movie of the year, Iron Man Robert Downey Jr. took in $75 million. Surprisingly, Channing Tatum, Hugh Jackman, Mark Wahlberg, and Dwayne Johnson placed higher than Leonardo DiCaprio, who made $39 million.

As for actresses, Angelina Jolie is still at the top with $33 million. Further, with hits such as ‘The Hunger Games’ and ‘American Hustle’, it’s no surprise to find Jennifer Lawrence in the number two spot with $26 million (a number that wouldn’t even place her on the men’s list).

Jennifer-lawrence-Dior-dress-Golden-Globes-2014-deWhether it’s from international sales, higher ticket prices, or star power, the movie business still remains the most lucrative in the entertainment industry. Despite 2013 sales being down, hopes are at an all time high for quality’s sake, as this year’s Oscars is highly anticipated. In other words, you know things are promising when all nine of the candidates for Best Picture are worthy of winning.

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Berlin International Film Festival | Film Budget Inc. | Filmbudget.com

Berlinale: 64th Berlin International Film Festival

As the 2014 movie season kicks off in Park City, Utah, exciting things promise to continue as Berlin hosts its 64th International Film festival shortly after. Always an international hub for the arts and culture, the historic German city is set to draw much attention this year. With big names premiering even bigger movies, cinema fans will find much to discover and discuss. As any high-profile festival should, Berlin will screen films spanning all genres, languages, and movie budgets. In addition to the films themselves, the European Film Market and Co-Production Market are guaranteed to generate many exciting deals.

Berlinale-film-festivalWhere: Berlin, Germany.

When: 6th (Thursday) – 16th (Sunday) February, 2014.

Venues: This year’s venues are yet to be announced. Last year’s festival’s events took place at the Marriott Hotel, MGB, Gropius Mirror Restaurant; movie screenings were held at Cinema Arsenal, Cubix, Colosseum, just to name a few.

Where to Stay: According to the official website, the festival has partnered with local hotels to offer a limited number of rooms to accredited professionals. These hotels range from one to five stars, which can be viewed here. Prices vary amongst the hotels; for instance, five-star hotel Hilton Berlin can be upwards of $500 a night (for a king guestroom). Other partner hotels include:

Hotel ADLON Kempinski (*****)

Crown Plaza Berlin City Centre (****)

Hotel Gat Point Charlie (***)

Motel One Berlin Tiergarten (**)

 

Tickets: As usual, tickets will be available through the festival’s website, as well as box/ticket offices. Advanced ticket sales will begin one week after the official programme is published at the end of January.

Special Presentations: With a goal to “open up new perspectives” on how film and other creative disciplines intersect, the festival has two special presentations planned. These include, “Berlinale Goes Kiez” and “Native – A Journey Into Indigenous Cinema.”

Awards: Films will be competing for a slew of amazing prizes and honors. Selected by a prestigious international jury, Silver bear awards will be presented for best director, actor, actress, outstanding artistic contribution, script, and the jury grand prix, as well as the illustrious Golden bear for best film. Romanian film Child’s Pose, made with an indie movie budget of only 850,000 euros, took home the award last year.

George Clooney headlines High Profile Debuts

George Clooney’s first project in the director’s chair since The Ides of March, The Monuments Men has officially announced it will make its international debut in Berlin. The film, starring Clooney, Bill Murray, Cate Blanchett, Matt Damon, and many others, tells the story of a motley crew platoon that must go behind enemy lines to rescue stolen works of art.

the-monuments-men-jg-gc-636-370

The universe seems to be in Clooney’s favor these days, as a coincidental nazi-art loot discovered in Munich times nicely with the release of the film. The Wall Street Journal reports Sony Pictures Spokesman Steve Elzer as saying “You could not ask for a more timely, topical or relevant discovery that corresponds to the events depicted in our upcoming film.” With a film budget of $70 to $80 million, a successful Berlin debut will play a large part in the movie turning a profit.

A Grand Opening

Internationally admired auteur Wes Anderson will open the festival with his latest film The Grand Budapest Hotel. Causing much buzz with its trailer, the film seems to posses the same likable qualities of Anderson’s previous films, making it a smart choice as the opener. According to ropeofsilicon.com, the movie recently received an R rating, suggesting it is more mature than his previous film, the light-hearted Moonrise Kingdom. The rating shouldn’t signal any box-office troubles, since his previous R-Rated films, such as The Royal Tenenbaums, grossed over $71 million internationally on a movie budget of $21 Million. This is the first of Anderson’s films solely written by himself, utilizing collaborations with Roman Coppola and Owen Wilson in the past.

the-grand-budapest-hotel-owen-wilson-636-380European Film Market

In addition to the festival, Berlin will also host an international film market. Similar to the AFM, the European Film Market will work as the business center of the festival; allowing producers, distributors, and other professionals to network and make deals. The official page describes it, “as a barometer for the upcoming year in film.” The market will take place at the Martin-Gropius-Bau renaissance hall. Projects with large and small film budgets will be given equal opportunity to pitch their movies to industry elites. In addition to the Film market, a co-production market will take place from the ninth to the eleventh. According to the website, “The Berlinale Co-Production Market is a two-and-a-half-day event for about 450 international producers, sales agents, distributors as well as broadcasting and funding representatives active in the field of co-production.”

Berlin World Premieres

With such classics as Hiroshima Mon Amour (1959) and Last Year at Marienbad (1961) on his resume, it’s no surprise Berlin is excited to have the french director Alain Resnais’ new film as part of its official selection. The new film titled Aimer, Boire et Chanter, starring Sandrine Kiberlain, marks the french director’s fiftieth director credit, according to IMDB, and will have its world premiere in Berlin.

Other exciting Berlinale news includes, the world premieres of director Yann Demange’s ’71, starring Jack O’ Connell, Yannis Economides’ Stratos (an international co-production between Greece, Germany, and Cyprus), German Dominik Graf‘s Die geliebten Schwestern, and Claudia Llosa’s Aloft, starring Jennifer Connelly. According to the Hollywood Reporter, Aloft is the Peruvian director’s English-Language debut. Her second feature, The Milk of Sorrow, won the Golden Bear back in 2009.

Outside of the competition, Pascal Chaumeil’s A Long Way Down, starring Pierce Brosnan and Aaron Paul, will make its world premiere. The film, an adaptation of Nick Hornby’s novel, is about four people forming a surrogate family in order to deal with their own personal problems.

Screen Shot 2013-12-17 at 10.29.25 AMAustralia’s The Turning, a collection of short films based on stories by Tim Winston, will also have a special screening. The movie has eighteen director credits including, Tony Ayres, Jub Clerc, and Ian Meadows. With an incredible cast, starring Cate Blanchett, Hugo Weaving, and Rose Byrne, the omnibus film is sure to cause a buzz at the festival.

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The Future of Netflix | Film Budget Inc. | FilmBudget.com

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A Company in Peril

netflix-logo-close/bgr.comRemember when Netflix was under fire for falling stock prices? It seemed that the movie-streaming giant had hit a wall, leaving its millions of subscribers at the will of up-and-coming competitors. Investors panicked as the press published pessimistic outlooks, claiming Netflix must change something. For example, Jason Gallagher of YAHOO! news stated, “Only a major acquisition or innovation can save the company from being swallowed up in a storm of streaming options, and time will tell which direction it is going to go.” That was back in the spring of 2012, but what about now? Turns out Netflix is still around, and doing quite well.

Original Series: Big Move For Netflix

So how well is Netflix doing? According to The Hollywood Reporter, its stock has grown 445 percent in just a year. But stocks aren’t the only thing gaining momentum, as the company’s revenue increased from $905 million to $1.106 billion. Why the immense success, when just a year earlier major publications were foreseeing its demise? The answer is original series, which aren’t just any original series, but critically-acclaimed sensations. Spanning many genres, Netflix has gained an incredible amount of new subscribers thanks to excellent original shows, such as House of Cards and Hemlock Grove. Despite its lack of star power, the streaming site’s most popular show, Orange Is the New Black has gained a huge following thanks to its positive feedback.  Also, Netflix gained much attention by releasing the highly anticipated new season of the cult hit Arrested Development. Check out this list of ten Original shows to watch. According to Variety, 1.29 million new subscribers were added in just three months. With those kinds of numbers, its no surprise Netflix plans on doubling its Original Programming budget for 2014. In addition to doubling, Andrew Wallenstein of Variety reports “the streaming service announced a significant shift in its accounting practices regarding original programming that will see it accelerate spending on series like “House of Cards.””

orange-is-the-new-black/http://www.policymic.com

Are Movies Next?

There’s no denying the success Netflix has had in DVD Rentals, streaming, and now original series, so why stop there? After delivering a keynote address at the Film Independent Forum in Los Angeles, Netflix Chief Content Officer, Ted Sarandos made it clear that the company is considering releasing original movies. In an article on Doddle, James DeRuvo stated “Sarandos says that there are far more buyers out there, who want to buy outside the box, than there are sellers who want to sell it. He cites the film Life of Pi, which saw more viewers in 2D on Netflix, than did in 3D in the theaters.”

In other words, there’s huge potential for Netflix to compete in an industry struggling to hold on to its audience. As the article explains, its biggest frustration is with the theaters, not Hollywood studios. It will be interesting to see how the company plans on creating a formula for exhibiting its movies, if it decides to enter such a market, as well as what types of films it plans on making and how large its movie budgets will be.

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Top Five Film Budget Tips for 2014 | Film Budget Inc. | filmbudget.com

Compiled by:   FilmBudget.com  – the global leader in worldwide film budget and schedule production services for the motion picture industry.

FBwhite_180x180As the year draws to a close Filmbudget.com Founder/Producer Jack Binder takes a look back at what lessons can be learned from 2013 for 2014 in the feature film and television production industry. Further, we’ll discuss how they effect a movie budget at any level of production.

1. Accuracy Matters in a Film Budget

As the markets have demanded and proven, there is increased scrutiny on the film budget level and additionally individual expenditures within movie budgets. Small errors in the budget stage could yield exponentially larger impacts on a film’s overall finance scenario.

2. Quality Film Budget Expert

A quality film budget expert is critical to obtain an accurate, proven and reliable movie budget. The line producer and the unit production manager are the crew members tasked with and dedicated to the creation and execution of the production movie budget since the inception of the film industry.

 

alexa23.   The Quality of Your Film Budget Impacts Your Film Finance Success

A major decision all filmmakers must make is with whom to work with in creating the film’s budget. Whether the project is a major studio or indie film production, an accurate budget is key.  Film financiers will certainly judge you based upon the movie budget you submit to them. Unproven inaccurate film budgets will certainly make an impact, and not in a positive way.

 4.  Your Line Producer Creating Your Film Must Have Extensive Knowledge of Film Tax Credits

As a movie budget expert the line producer is constantly updating skills and must have a working knowledge on a worldwide scale.  Extensive knowledge of film tax credits, production incentives both North American and internationally is critical to bring to the film budget process.

 

 Screen Shot 2012-12-26 at 2.13.52 AM

5.  Co-productions Are A Critical Element of Finance

Your line producer creating your custom, proven and accurate film budget (like Filmbudget.com Founder Producer Jack Binder) should likewise have a strong understanding of international co-productions, grants, country and regional film funds and worldwide motion picture financing.

The bottom line is that film finance, though improving, will remain frugal and risk adverse.  Obtaining a professional film budget by a line producer is a fundamental task consistently undertaken by film industry professionals.

 

FilmBudget.com | Sony Announces the New F55 & F5 CineAlta 4K Digital Motion Picture Cameras

 

 

 Return to Filmbudget.com

Sony Announces F5 and F55 Cinema Cameras

 

The digital cinema camera market has been quite competitive as of late: RED has the Epic, Canon has their C-series, and the new kid on the block, Blackmagic Design, has their Cinema Camera.  Depending on the scope of a productions film budget the options remain extensive and growing daily.

 

Sony is now stepping up to the plate with their newly announced PMW-F5 and PMW-F55, slated to be released in January or February of 2013, and it sounds as though they have knocked it out of the park.  The CineAlta motion picture cameras provide filmmakers the tools to shoot their movie production with scalable technical tools depending on the budgets available.

 

 

Both cameras feature a new 4K Super 35mm image sensor (4096 x 2160), a lightweight, modular body, FZ lens mounts (but come with a PL adapter), new, faster SxS cards, and a brand new recording codec (XAVC). Sony will also be releasing their second generation of CineAlta PL prime lenses with the cameras.

 

While the cameras are set to release early next year, the full potential will not be realized until Sony releases a free “planned upgrade” and their external recorder (AXS-R5). See the specs below for more info:

 

Brief specs comparison:

 

 

F55

 

Frame Rates:

 

60 fps out of the box (XAVC HD at launch; XAVC 4K, QFHD and 2K with a planned upgrade)

 

180 fps with a planned upgrade (XAVC 2K/HD). Unique to this process, there is no line skipping or sensor windowing. So there’s no crop factor, no loss in angle of view.

 

240 fps 2K RAW, with the optional AXS-R5 outboard recorder and a planned upgrade, achieves the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. This not only exceeds 12-bit RAW with 16 times as many Red, Green and Blue gradations. By design, it exceeds the capabilities of human vision!

 

Simultaneous RAW + Onboard SxS recording (with external recorder)

 

4K/2K RAW + XAVC 2K*/HD

4K/2K RAW + MPEG-2 HD422

2K RAW + XAVC 2K*

 

*expected with future upgrade

 

– Global Shutter (eliminates rolling shutter issue)

 

– 4K output via HDMI or 3G-SDI

 

 

F5

 

 

 

60 fps out of the box (XAVC HD).

 

 

 

120 fps with a planned upgrade (XAVC 2K/HD). Unique to this process, there is no line skipping or sensor windowing. So there’s no crop factor, no loss in angle of view.

 

120 fps 2K RAW, with the optional AXS-R5 outboard recorder and a planned upgrade, achieves high frame rates while retaining exceptional, 16-bit image quality. This not only exceeds 12-bit RAW with 16 times as many Red, Green and Blue gradations. By design, it exceeds the capabilities of human vision!

 

 

 

 

 

 

4K/2K RAW + XAVC 2K*/HD

4K/2K RAW + MPEG-2 HD422

 

 

 

– No Global Shutter

 

 

– No 4K out

 

 

 

Price:

 

The official price has yet to be announced, but these cameras are meant to fill in the gap between the F3 and F65, so it is safe to assume somewhere between $16K and $65K, with the F5 being the cheaper of the two.

 

Click here for Sony’s full information page for the F5.

 

Click here for Sony’s full information page for the F55.

Why a Professional Movie Budget by a Line Producer is a Film Finance Requirement

 

Why is a professional movie budget by a line producer a film finance requirement?

For anyone living under a rock the last few years it should be extremely evident that the financial world was rocked, stirred and shaken.  As it begins to recover certain truths have emerged:

 

1. Scrutiny – Finance sources are under more pressure than ever to engage in more intense scrutiny of investments than ever before.

2. Risk Aversion – Capital markets have adopted a new risk aversion that makes the past laughable and seemingly like wild party days.

3. Return on Investment (ROI) – Investors were smacked over the last four years.  They want, rather need to see a strong return on investment.

 

For these three main reasons alone the intensity of the importance of a movie budget created by a professional line producer is critical.  Film financing today demands a fresh look at the markets for film distribution and correspondingly the true cost of the film budget associated with the expenditure of their funding.  A movie budget must be created with experience, be detailed, accurate and created by a veteran producer with extensive experience analyzing every aspect of the production.  No formulas, templates, sample film budget or software program can inject the knowledge of a production manager scrutinizing every detail, parameter, contingency and aspect of the movie budget that investors would expect them to have undertaken.

Filmmakers should be prepared, invest in themselves and present their investors and lenders with qualified, professional film budgets for analysis.  Shortcuts most often lead to dead ends.

 

Jack Binder

Producer

FilmBudget.com

Why is a movie budget from a line producer critical for film finance?

Summer 2012 Studio Tentpole Film Budget List

Summer 2012 is shaping up the be the summer of the most expensive blockbuster production film budget expenditure of all time.  With the Major Hollywood Studio’s revenues on decline the ‘Tentpole’ movie with its enormous budget is seen by the bean counters as the certainty in a changing and declining revenue landscape.   As digital proliferation of films, piracy, the economy and falling dvd sales take their toll on the bottom line the studios and larger indie production companies like Lionsgate / Summit are betting big on the VFX / CGI laden popcorn, super-hero action movie like never before, clearly.

With a continually more fragmented audience, growing cable channel line-ups and expanding reality television programming it has likewise become increasingly more difficult to reach the fans to put ‘bums in seats’.  Part of the calculations certainly must include the broad reach of the superhero, sequel, ‘based on the television series…boardgame…’ franchise which aids in the marketing of these productions.  Utilizing the convenience of familiarity the bet is on recognition factor.   Not detailed in the proliferation of newsworthy budget figures are the massive amounts being spent to promote these behemoths and guarantee the return on investment at this massive scale.

 

Summer 2012 Studio Tentpole Film Budget List:

The Lorax                                  $70,000,000

John Carter                              $250,000,000

Hunger Games                          $80,000,000

The Avengers                          $220,000,000

Battleship                               $200,000,000

The Dark Knight Rises             $250,000,000

Men In Black III                      $215,000,000

Prometheus                            $200,000,000  (rumored)

The Bourne Legacy                 $90,000,000 (unconfirmed)

Total Recall                           $200,000,000

 

* Film budgets are gathered from available industry trade data, news articles and published reports.  Actual film budgets are intentionally guarded secrets by the studios and released, confirmed or denied for marketing and/or corporate rationale and should always be taken with a good dose of scrutiny as to the actual figures.


By Jack Binder

Film Budget | European Film Festival in China 2011

EUROPEAN FILM FESTIVAL IN CHINA

Europe is marketing its movies to China and apparently, the Chinese are loving it!

 

Such is the success of the annual European Union Film Festival in China that the event, which is now its fourth year, could be expecting greater numbers than ever before!  Last year, the event expanded to showcase films in three Chinese cities and according to EU Ambassador Markus Ederer, the number of moviegoers increased from 5,000 attendees in 2008 up to 13,000 in 2010.

 

What: European Union Film Festival

 

When: November 1st – 30th 2011

 

Where: Beijing and two other cities in China (TBA)

 

The film festival, organized by the Delegation of the European Union to China and supported by the Embassy of Poland,  invited all 27 EU Member States to showcase one recent, popular and successful film.

 

The organizers of the festival hope that the event will increase the appreciation of European films and culture among the Chinese, hence paving the way for the possibility of importing European movies into China in the future.

 

The films screened at this year’s festival include a diverse mix of local flavors and a wide-range of genres from comedies and dramas to documentaries. Moviegoers can view their films of choice in commercial theatres as well as in cultural institutions.

 

Among this year’s selections are some of the following European picks:

 

France – “The Piano Turner”

 

Denmark – “Aching Hearts”

 

Italy – “20 Cigarettes”

 

Portugal –  “Beauty and the Paparazzo”

 

Each film is screened in its original language with English and Chinese subtitles.

 

Meanwhile, the European Film Academy has unveiled its nominations for the 2011 European Film Awards. You can see a full list of the nominees on their official website – www.europeanfilmacademy.org

 

Winners will be announced in a December 3rd ceremony in Berlin.

 

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Film Budget | The international leader in worldwide film budgeting and scheduling production services for film finance, production incentives and film tax credits.

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Foreign Sales Agents and Film Finance Recommend a Custom Film Budget by an Expert

As Cannes kicks off it is again quite clear the message coming from the foreign sales agents and the film finance people. Consistently the message to producers is for them to obtain a quality, custom and accurate film budget and schedule from a hand crafted screenplay breakdown created by a seasoned line producer.

As foreign sales prices continue to fall and the dvd market shows further weakness, the clear implication is that the film budget must be reevaluated for todays economic reality. Early on the producers representatives are likewise insisting that they become more involved in the film budgeting process to ensure the filmmakers create a film budget and schedule that reflects the commercial aspects that the movie must achieve to gain financing.

FilmBudget.com is the international leader in worlwide film budget and schedule production services since 1997. Producing feature film and television productions since 1986, Producer Jack Binder is an expert in the field of studio and independent feature film and tv film budgets and schedules.