Major Hollywood Studio, Independent, HBO, Film Producer, Executive Producer, Line Producer, DGA UPM & Film Finance Executive FilmBudget.com Founder Jack Binder

Major Hollywood Studio, Independent, HBO Producer, Executive Producer, Line Producer, DGA UPM & Film Finance Executive, FilmBudget.com Founder Jack Binder

I began my career producing comedy concerts in Detroit with my brother, then stand-up comedian and now successful Writer/Director of feature films and television, Mike Binder. Following a slew of successful comedy concerts around Michigan, we raised financing to film the concert at the Fisher Theater in Detroit and eventually sold it to HBO with the help of comedian George Carlin.

Moving to Los Angeles, I started from the bottom and worked my way up on several HBO shows including “Robin Williams Live at The Met”, “It’s Garry Shandling’s Show” and “Not Necessarily the News”.

I went to work on ‘Coupe de Ville’ as PA and then Assistant UPM which Mike wrote and was directed by Joe Roth (former Chairman of Twentieth Century Fox & Disney.)

Answering an ad in Variety I became the Assistant to Academy Award Oscar Winning Producer Michael Phillips (‘The Sting’, ‘Taxi Driver’, ‘Close Encounters of the Third Kind’) rising to Vice President of Creative Affairs for his production company while producing feature films for the film arm of HBO.

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Setting off into independent production I joined back with my brother Mike again Co-Producing ‘Crossing the Bridge’ (Josh Charles, Jason Gedrick, Stephen Baldwin) which was picked-up by Disney’s Touchstone Pictures. There we scored an On-the-Lot deal, engaged to Produce and Mike to direct ‘Indian Summer’ starring Alan Arkin, Diane Lane, Kevin Pollak, Julie Warner, Elizabeth Perkins and Bill Paxton.

Damon Wayans contacted us to make ‘Blankman’ and we moved over to Columbia Pictures to make that film with a $30 million film budget and substantial vfx for the time. (The animated opening title sequence was something we were really happy with – a throwback to the ‘Batman’ tv series opening.) This began a long relationship with Columbia Pictures and Sony Pictures Entertainment.

Following this stage in our career we launched back into the indie film world, raising film finance to fund the comedy film ‘The Sex Monster’ (Mariel Hemingway, Mike Binder), ‘Londinium’ (Colin Firth, Stephen Fry), ‘The Search for John Gissing’ (Alan Rickman, Alan Corduner, Juliet Stevenson). These were all shot in London and began a long term relationship with British film, England and London filmmaking.

Partial Cast of Films Produced by Jack Binder, FilmBudget.com Founder

Partial Cast of Films Produced by Jack Binder, FilmBudget.com Founder

I then Produced and Mike created, wrote and directed ‘The Mind of the Married Man’ (Mike Binder, Sonya Walger, Kate Walsh, Jake Webber, Taylor Nichols) for HBO which ran for two seasons (they balked and then wished to make a third season but we were off back into feature film.)

This lead to our raising film financing for ‘Man About Town’ (Ben Affleck, John Cleese, Rebecca Romijn) and ‘The Upside of Anger’ (Kevin Costner, Joan Allen, Kerri Russell, Even Rachel Wood, Erica Christensen) which New Line Cinema picked-up.

Returning to Sony / Columbia Pictures I Produced ‘Reign Over Me’ starring Adam Sandler in a dramatic role, Don Cheadle, Liv Tyler and Donald Sutherland. The film shot in New York and Los Angeles.

Following this I helped write the Michigan Film Tax Incentive with the Governor of Michigan and the Legislature. I created Michigan Film Production Company and brought films from around the world and the country to shoot in Michigan until the current Governor shut down the program which launched thousands of film careers and the revitalized the industry in Michigan, making the state one of the leaders in US filmmaking for a short period.

Moving on I Executive Produced ‘Tomorrow’ with Martin Scorsese which is in post-production. I continue producing films worldwide with several movies in finance and casting stages at this writing.

I am currently Producing ‘Dionne’ – the story of Dionne Warwick during her period as the voice of Burt Bacharach and Hal David.

I founded FilmBudget.com in the late 90s to assist fellow filmmakers in obtaining film finance by creating a real, accurate film budget and Film Finance Plans to help make my colleagues investor ready. After seeing so many productions fail at the finance level, I determined that having a quality film budget was key to getting the green light so many films require to move into production.

I created the film budget and schedule for all of my movies and have always been on budget and on schedule, working with studio executives and creatives alike to obtain the highest quality at the lowest cost. I put all of this knowledge into every budget I create. Likewise I provide film production consulting services for select filmmakers interested in my experience and expertise in film production, film tax credits, budgeting and film finance plans.

I continue to Produce and consult via my international production company Greentrees Films.

Additionally I am a film finance and production consultant for several companies and individuals, including the former Chairman of PricewaterhouseCoopers Structured Finance, Omeira Studio Partners (for which I am the Producer Strategic Partner) and Rockwood Financial for which I am a Strategic Film & Entertainment Partner.

Contact me via FilmBudget.com to obtain a quote on services for real film budgeting on your movie or tv series, special or film.

Good luck in filmmaking!

All the best,

Jack

Jack Binder

Producer

Founder of FilmBudget.com

Founder of FilmBudget.com

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The 5 Steps To Creating a Professional Film Budget for Your Movie | FilmBudget.com Worldwide

5 Steps to Creating a Professional Film Budget for Your Movie

Creating a film budget for a feature film or a television show is a time honored tradition and craft of the Line Producer or Unit Production Manager. Using extensive experience in making films over many years the process draws on skills learned during these years of production and filmmaking.

To create a film or tv budget Line Producers and Production Managers apply their knowledge and process to create a real film budget and schedule which is used by financiers, investor, banks, film tax credit authorities, foreign sales companies and distributors to evaluate and execute the vision of the screenwriter and the director in coordination with the goals of the producer.

Here are the steps undertaken in creating a professional film budget & schedule:

1. Screenplay Reading – Creative Pass

The screenplay or teleplay is read for creative value and consideration first in order to take on the story, characters, dialogue and plot of the script.

The stars involved in productions Produced by Jack Binder

The stars involved in productions Produced by Jack Binder

2. Screenplay Reading – Production Pass

A second reading is undertaken to evaluate the script from a production viewpoint. Attention is paid to the overall elements, setting and style of the work.

3. Screenplay Breakdown

The next step is a complete breakdown of the total production and creative elements in the screenplay which are required to bring the production to life. Key considerations include bringing experience to bear to determine what the budget level for the picture will fall into: big budget major studio, indie film budget, low-budget or micro budget.

Cast – What level of cast does the story and production call for? How many? Will the highest level of stars be required or a variety of talent levels.

Setting/Locations – Using the Setting as a guide, location considerations are analyzed. Are there multiple countries? Multiple cities? Are there a large amount of locations or is the screenplay contained in its requirement?

Set Dressing – Is it Period? Will it require extensive Set Dressing components or will existing decorations be utilized and sufficient to achieve the vision?

Costumes/Wardrobe: Again, Period? Large Cast and various time periods which will affect the scope and amount of wardrobe required?

Special Effects: Are there needs for extensive Practical Effects (SFX)? Stunts? Pyro-technics? Mechanical rigging?

Transportation – Are there specific Transportation requirements? Travel? Picture Vehicles? Animals? to consider?

Post Production – Is the film, movie or television series heavy in VFX and CGI? Where will post production take place?

The list goes on to include all the departments and which are required to fulfill to requirements of the production. These are a few of the many, many considerations and preliminary decisions which must be analyzed during the screenplay breakdown process.

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4. Create the Shooting Schedule

Based upon the Breakdown and the analysis of the screenplay elements a Shooting Schedule is then created. A veteran and seasoned Line Producer or Production Manager will have great experience in creating and delivering productions based upon their Shooting Schedules which they have created over the course of time and which they have consulted and executed with the First Assistant Director and Director of their films.

  • Each day is scheduled according to the scene work balance of the overall schedule.
  • Best practices and knowledge gained over years of experience guide the creation of a realistic and efficient plan for the work to be done.
  • Scene descriptions are included in the Stripboard Shooting Schedule to guide the crew.
  • Character Identifications are included to advise what Cast members are working each day

Using the above information a Cast Schedule can be created indicating the amount and which days the Cast work. Likewise Locations Schedule and all unique equipment (cranes, rigs, steadicam, etc.) days are included in the Master Shooting Schedule.

5. Creating the Film Budget

Once these processes are undertaken we are ready to commence with the actual film budgeting for the movie. With the above information in hand realistic budgets can then be created.

Knowing the scope and scale of the production will guide this step. Is it a big budget requirement, low budget or micro-budget or somewhere in between? Is this a Major Studio movie or an independent film production? These are critical factors in the creation of the budget.

Based upon the Setting and Locations envisioned for the picture then the best production center is chosen to shoot the film. The budget will consider these factors in selecting the ideal location to base the production.

Creative consideration is the top priority: can we shoot what the screenplay calls for in this particular region, country and city?

Production viability is then determined. Is there a sufficient film production crew base at this location? Will crew members need to be transported to this location? Is there adequate production support for equipment, materials and services? Hotels?, etc.

Next, finance consideration is analyzed. Assuming the best location is chosen for the creative and production value, what local film tax credit or production incentive is offered by this geographical area?

Countries worldwide offer film tax credits and incentives to film in their region. U.S. States likewise offer lucrative film tax incentives to draw production dollars and generate economic impact in their locales. Your film financier will most definitely consider and insist upon this as a key factor in choosing a location to shoot the movie or tv program.

Based upon these factors, with the right location chosen to shoot, the costs are then calculated.

What are the local crew rates?

What are the local materials and services needed and how much do they cost?

What are the costs of getting the cast and crew to the location?

All of these decisions are evaluated and the studio or indie film budget process gets down to the nitty-gritty of evaluating the costs of each element involved in the production. Cast fees, location expenses, production crew, logistics, travel, permits, etc. are included.

All productions are unique and each must be analyzed individually. The overriding goal is the create the greatest production value for the most efficient price.

Once these matters are analyzed and included based upon extensive experience the final step is to ensure inclusion of all expenses, including: Completion Bond, Insurance, Contingency, Finance Costs, Union and Guild Health & Pension costs, Cast Perks, etc. to create a realistic budget for the movie production.

While this is a summary of the work and knowledge that goes into the film budget process it is certainly not complete but should give an approximate overview of the process.

Financiers, Producers, investors, government institutions, production companies and sales companies rely on the accuracy of the work of the Line Producer or Production Manager to effectively and precisely understand and present the true cost of bringing the film to the screen. Small errors can compound to create enormous gaps in the overall financing of the film which can seriously impact the completion and delivery to distributors and therefore returns to investors.

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Contact FilmBudget.com to obtain an instant quote on your film for a professional film budget and schedule, film tax credits and production incentives analysis and Film Finance Plans for your production.

Film Budget Inc. has created hundreds of budget and schedule packages for individuals, the Major Hollywood Studios, Mini Majors and independent production companies, financiers, investors and banks in addition to all of those of our own projects.

Jack Binder is Major Studio and Indie Film Producer with over 25 years of experience and the Founder of FilmBudget.com

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Jack has served as an On-the-Lot Producer at The Walt Disney Company and Columbia Pictures (Sony Pictures Entertainment) and as the responsible Producer on productions for those Studios as well as New Line Cinema, Lionsgate Films, HBO, Sunlight Productions and many more major and independent film and tv production companies.

Binder’s international film production company is Greentrees Films

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FilmBudget.com Founder & Producer Jack Binder Producer Credits

Producer Credits for Producer Jack Binder Founder of FilmBudget.com & Greentrees Films

Producer Credits for Producer Jack Binder Founder of FilmBudget.com & Greentrees Films

Actress Keri Russell, one of the stars of the new comedic drama film "The Upside of Anger," poses as she arrives for the film''s premiere in Los Angeles, March 3, 2005. The film stars Joan Allen who plays a suburban housewife with four young adult daughters who is left to raise them on her own, but soon falls in love with a neighbor played by Kevin Costner. The film opens in Los Angeles and New York March 11. REUTERS/Fred Prouser PREMIERE

Actress Keri Russell, one of the stars of the new comedic drama film “The Upside of Anger,” poses as she arrives for the film”s premiere in Los Angeles. The film stars Joan Allen who plays a suburban housewife with four young adult daughters who is left to raise them on her own, but soon falls in love with a neighbor played by Kevin Costner. The film opens in Los Angeles and New York March 11. REUTERS/Fred Prouser PREMIERE

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Why it is Critical to Obtain a Professional Film Budget & Why Whom Creates Your Film Budget Matters As a Reflection Upon Yourself the Filmmaker & Your Team

Why it is Critical to Obtain a Professional Film Budget and Why Whom Creates Your Film Budget Matters As a Reflection Upon Yourself the Filmmaker & Your Team

Your movie budget is a reflection on you, the filmmaker and your team. A professional film budget is critical to obtaining film finance, production and distribution for your film.

In the world of film finance and movie production the figures are more significant then ever. The details and reliability of the figures created in your movie budget by a veteran line producer are critical to the success of the film you are setting out to make.

What is often not appreciated is the compounding nature of those numbers which can lead to make the financing elements largely in error.

film budget movie stars

As the basis for the funding equation which goes into the packaging of the equity, pre-sales, debt and gap financing elements to finance your film, your movie budget is enormously important in that it be accurate and all inclusive.

Likewise the quality of the line producer’s credentials, associations and experience a filmmaker chooses to engage to create their budget lends significant value to your film stature, finance plan and the funding package overall.

The importance of having a film budget and schedule created for your screenplay for potential buyers is widely known and accepted in sophisticated film finance circles. So much so, that it is the first question asked when a project is submitted: “can you send us your budget?”

FilmBudget.com is the international leader in worldwide film budget and schedule production services, and creates accurate and proven film budgets for filmmakers.

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The benefits leading to your script being picked up by someone having already been budgeted and scheduled, the advantages are numerous. For one, putting forth the effort to create a film budget and shooting schedule for your film production immediately sets your script ahead of the ones whom have not taken this key step.

Knowing the cost of producing a film is critical to obtaining financing and distribution. Being able to articulate to an interested party how much funding will be required to produce a film enables them to make multiple decisions which they would not necessarily be bothered nor able to entertain with a screenplay alone, for which one presumes they might receive literally thousands.

Additionally, this effort and resourcefullness demonstrates initiative on the part of the writer/producer/director to ascertain the fundamental fact of the film production: the cost to produce the film.

Further to this point, knowing the cost of the film production overall and where it will be shot, aids in determining what film tax incentive amount the filmmakers might expect to receive from local government institutions, funds, grants, etc. Knowing the budget of the film enables a buyer to be able anticipate what type of foreign sales (advances) they might be able to expect as well.

This all leads to potential purchasers to able to figure what amount of equity, or hard cash, will then be required on their part, or their financiers, to proceed to produce the film.

So knowing your cost of production sets you and your film apart from others submitting only a screenplay, as one which has made the effort to enable the key factors required to make an informed decision. It also conveys your commitment to getting the film made and willingness to  have an understanding of the process of filmmaking, for the budget and schedule is a roadmap to the production.

It is a reflection upon you and your team that you have undertaken to understand how the film will be made by having a professional film budget and schedule created for you by a veteran line producer, for what you will then have, a package, not just a screenplay, to present and they, to investors and financiers.

Contact FilmBudget.com to obtain an immediate quote on our services, which include a finance and camera ready film budget and schedule package, film finance plans and film tax credit analysis and production consulting.

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Top Five Film Budget Tips for 2014 | Film Budget Inc. | filmbudget.com

Compiled by:   FilmBudget.com  – the global leader in worldwide film budget and schedule production services for the motion picture industry.

FBwhite_180x180As the year draws to a close Filmbudget.com Founder/Producer Jack Binder takes a look back at what lessons can be learned from 2013 for 2014 in the feature film and television production industry. Further, we’ll discuss how they effect a movie budget at any level of production.

1. Accuracy Matters in a Film Budget

As the markets have demanded and proven, there is increased scrutiny on the film budget level and additionally individual expenditures within movie budgets. Small errors in the budget stage could yield exponentially larger impacts on a film’s overall finance scenario.

2. Quality Film Budget Expert

A quality film budget expert is critical to obtain an accurate, proven and reliable movie budget. The line producer and the unit production manager are the crew members tasked with and dedicated to the creation and execution of the production movie budget since the inception of the film industry.

 

alexa23.   The Quality of Your Film Budget Impacts Your Film Finance Success

A major decision all filmmakers must make is with whom to work with in creating the film’s budget. Whether the project is a major studio or indie film production, an accurate budget is key.  Film financiers will certainly judge you based upon the movie budget you submit to them. Unproven inaccurate film budgets will certainly make an impact, and not in a positive way.

 4.  Your Line Producer Creating Your Film Must Have Extensive Knowledge of Film Tax Credits

As a movie budget expert the line producer is constantly updating skills and must have a working knowledge on a worldwide scale.  Extensive knowledge of film tax credits, production incentives both North American and internationally is critical to bring to the film budget process.

 

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5.  Co-productions Are A Critical Element of Finance

Your line producer creating your custom, proven and accurate film budget (like Filmbudget.com Founder Producer Jack Binder) should likewise have a strong understanding of international co-productions, grants, country and regional film funds and worldwide motion picture financing.

The bottom line is that film finance, though improving, will remain frugal and risk adverse.  Obtaining a professional film budget by a line producer is a fundamental task consistently undertaken by film industry professionals.

 

Film Budget | European Film Festival in China 2011

EUROPEAN FILM FESTIVAL IN CHINA

Europe is marketing its movies to China and apparently, the Chinese are loving it!

 

Such is the success of the annual European Union Film Festival in China that the event, which is now its fourth year, could be expecting greater numbers than ever before!  Last year, the event expanded to showcase films in three Chinese cities and according to EU Ambassador Markus Ederer, the number of moviegoers increased from 5,000 attendees in 2008 up to 13,000 in 2010.

 

What: European Union Film Festival

 

When: November 1st – 30th 2011

 

Where: Beijing and two other cities in China (TBA)

 

The film festival, organized by the Delegation of the European Union to China and supported by the Embassy of Poland,  invited all 27 EU Member States to showcase one recent, popular and successful film.

 

The organizers of the festival hope that the event will increase the appreciation of European films and culture among the Chinese, hence paving the way for the possibility of importing European movies into China in the future.

 

The films screened at this year’s festival include a diverse mix of local flavors and a wide-range of genres from comedies and dramas to documentaries. Moviegoers can view their films of choice in commercial theatres as well as in cultural institutions.

 

Among this year’s selections are some of the following European picks:

 

France – “The Piano Turner”

 

Denmark – “Aching Hearts”

 

Italy – “20 Cigarettes”

 

Portugal –  “Beauty and the Paparazzo”

 

Each film is screened in its original language with English and Chinese subtitles.

 

Meanwhile, the European Film Academy has unveiled its nominations for the 2011 European Film Awards. You can see a full list of the nominees on their official website – www.europeanfilmacademy.org

 

Winners will be announced in a December 3rd ceremony in Berlin.

 

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Film Budget | The international leader in worldwide film budgeting and scheduling production services for film finance, production incentives and film tax credits.

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Film Budget .com | American Film Market (AFM) 2011 Film Finance and International Sales Roundup

American Film Market (AFM) 2011 Round-Up

 

The 2011 American Film Market is winding down at the moment and as promised, this year’s event is proving to be quite a success!   Though film financing remains a difficult proposition, projects with the right combination of well known talent, directors and strong marketing prospects funding is on the rise in combination with lenders, equity, gap,  film tax credits, co-productions, government funding and incentives.   The market is indeed hungry for quality films to distribute with solid packages, a film budget with a reasonable recoupment potential and name talent is the constant mantra.

 

Here are a list of some the deals that were made at this year’s AFM:  (updates forthcoming as we write)

 

* IM-Global takes rights to ‘The Sister’ for Europe, Latin America

 

* Universal Pictures International Entertainment has picked up rights to Content Film’s ‘Hard Boiled Sweets’ for the UK, Australia, New Zealand, Benelux and Scandinavia

 

* Drafthouse Films has picked up crime drama ‘Bullhead’ and raucous comedy ‘Clown’, for distribution in North America

 

* Sony Pictures Worldwide Acquisitions has picked up domestic distribution rights to ‘Bel Ami’, from Protagonist Pictures. The company also picked up comedy ‘Bailout’ starring Jack Black, for multiple territories including North America, South America and Scandinavia.

 

 

 

* FiGa Films has picked up ‘The Last Christeros’ (Los ultimos cristeros) by Matias Meyer, which had its world premiere in Toronto Film Festival (link to blog on Toronto Film Festival), and ‘Machete Language’, directed by Kyzza Terrazas, which had its world premiere in Venice.

 

* FilmDistrict has acquired ‘Drive’ the Nicolas Winding Refn-directed film adaptation of James Sallis’ suspense-themed novel

 

* Sierra Pictures announced the acquisition of ‘Rampart’, a crime thriller starring Woody Harrelson. The company also picked up comedy ‘Darling Companion’, which stars Kevin Kline, Diane Keaton.

 

* Tiberius Film has picked up a trio of horror sequels – ‘Piranha 3D’, ‘Children of the Corn: Genesis’ and ‘Hellraiser: Revelations’ for the German market.

 

* Exclusive Media Group picks up international rights for ensemble drama ‘Disconnect’

 

* Lightning Entertaiment picked up 7 films including ‘Brake’, ‘Columbus Circle’ and ‘Wrath’, making their world premiere debut at the AFM. The other films are ‘Boy Wonder’, ‘Bloodwork’, ‘The Trouble with Bliss’ and ‘Scents sand Sensibility’

 

* Wild Bunch acquired the international rights to Academy-Award winner Geoffrey Fletcher’s directorial debut ‘Violet & Daisy’

 

* Los Angeles-based film production, financing and foreign-sales company Unified Pictures has entered into a three-movie deal with Vancouver-headquartered production-finance group Bron Studios

 

 

 

Announcements of major financings include:

 

* Exclusive will finance Matt Damon’s ‘Yesterday’ with Focus Features handling U.S.

 

* Endgame Entertainment announced the creation of Endgame Releasing, to provide as much as $500 million in funding for marketing and distribution of four to six wide release movies per year through major studios. One of the first movies to tap into the fund will be the movie ‘Looper’  starring Joseph Gordon-Levitt and Bruce Willis.

 

* W2 Media has come on to co-finance and distribute ”The Theatre Bizarre 2,” a sequel to Severin Films and Mataluna Prods.’ ”The Theater Bizarre” horror anthology.

 

* Green Isle Entertainment has entered into an initial $60 million dollar multiple picture financing agreement for film budgets with Allegiance Capital Corp.

 

* IM Global to finance $20 million action-drama ‘Hummingbird’.

 

These are just a few of the ‘official’ announcements. With the AFM still underway, many more similar announcements are anticipated in the coming days. With deals being made fast and furious – don’t miss your chance to catch a piece of the  action! For more information on this year’s AFM, check out the blog on filmbudget.com

 

 

Filmbudget.com is the international leader in worldwide film budget and schedule line producer film budgeting production services.  Film finance and camera ready movie budget and schedule packages.

 

Top 10 Movies with the Highest Film Budget

The top ten movies that have the highest film budget for their production costs are listed below.  These production costs do not included marketing, finance costs, prints and advertising (P&A) or distribution costs.  The figures represent production film budgets only.

 

Top 10 Movies with the Highest Film Budget

Film                                                                Film Budget         Release Date

  1. Pirates of the Caribbean: At World’s End       $300 Million            2007
  2. Tangled                                                       $260 Million            2010
  3. Spider-Man 3                                               $258 Million            2007
  4. Harry Potter and the Half-Blood Prince          $250 Million             2009
  5. Avatar                                                        $237 Million             2009
  6. The Chronicles of Narnia: Prince Caspian      $225 Million            2008
  7. Pirates of the Caribbean: Dead Man’s Chest  $225 Million            2006
  8. X-Men: The Last Stand                                $210 Million            2006
  9. Superman Returns                                       $209 Million            2006
  10. King Kong                                                   $209 Million            2005

The numbers above are estimates of the film budget for the specified motion pictureproduction.  The production film budgets listed are sourced

from publicly available information including Variety, The Hollywood Reporter and IMDB.
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How Do I Get a Film Budget?

For many years it was not readily known how one goes about getting a film budget for their movie production.   Jack Binder, Producer of ‘Reign Over Me’ and ‘The Upside of Anger’ realized a gap in this realization back in 1997 and sought to make available for fellow filmmakers a film budget process whereby they could get a film budget for their project.  Jack Binder created the first online film budget production service.

Jack continued to evolve the concept but the basic working structure was that a film budget would be required in order for a director, actor, writer or producer to embark on obtaining film financing for their film production.  By using his extensive experience in creating motion pictures and likewise film budgets for all of his movies and television shows, Binder realized that he should have a ready answer for the many co-production partners, film finance executives, bank lenders and major studio executives who were approaching him about creating a film budget and schedule for their productions.

Finally it really hit home when reworking a film budget over and over again, that it became very evident that the process and knowledge involved was fundamental to receiving that elusive of all treasures, the Greenlight.  Through an ability to respond to questions and by knowing his film budgets inside and out, and through meticulous film budgeting experience Jack was able to remove the obstacles to getting the film into production.

Contact Filmbudget.com for an accurate and proven film budget for your production – and get that greenlight!

 

Michigan Film Tax Incentives Economic and Fiscal Impact Report

Ernst & Young just released their analysis of the film tax incentives program in Michigan.    It is titled “Economic and Fiscal Impacts of the Michigan Film Tax Credit” February 2011.

The report was commissioned by the Detroit Convention and Visitors Bureau, Grand Rapids, Ann Arbor and Traverse City, Michigan organizations.

The Fiscal Impact Report clearly states what the proponents have been stating:  the film tax incentives work, creating a thriving and job creating industry.   The Michigan film industry has grown enormously since its creation in 2008.    The study finds an economic output ratio of $6 of activity for every $1 of film tax credit.  This has translated into an $812 Million successful return for the State of Michigan on a net outlay of $127 Million.    The incentives have created over 6,000 jobs and attracted major feature film and television production to a state badly in need of investment.

Read the entire Ernst & Young “Fiscal Impacts of the Michigan Film Tax Credits” report.

Presented by Filmbudget.com | The international leader in worldwide film budgets and schedules services, global film tax incentives and production services

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Apple Itunes Leads 2010 Internet Film Consumption

Apple Inc.’s ITunes media store ended 2010 as the online go-to destination for electronic sellthrough, or EST, and Internet-based video-on-demand, according to a new report.

IHS Screen Disgest reported that ITunes held off challenges from Microsoft’s Zune Video (via Kinect 3D motion-control launch), Sony Playstation Store, Amazon VOD and Walmart’s Vudu as the EST/iVOD market increased more than 60% from 2009.

Read the full Home Media Magazine article

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